Cantus invitation to choir directors
Fortune’s Wheel: making music from the far past seem like it was wrriten yesterday
By CHARLES WARD, January 13, 2008
…. But the Fortune’s Wheel singers – Lydia Heather Knutson, Aaron Sheehan and Shira Kammen – perfromed as if the Medieval English style had become their primarily musical language. Their simple communication with the audience made the essentially unfamiliar music as appealing as the Three Bs. Kammen, on the harp, and Mealy, on the fiddle, added sinuous accompaniments. ….
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Ars Lyrica’s first CD on Naxos
Audiences and critics alike have been enthusiastic about Ars Lyrica programming in general and the Alessandro Scarlatti programs in particular. We are pleased to announce that a recent Ars Lyrica recording of Scarlatti’s music will be available on the NAXOS label later this year. Continue reading
NOTES ON THE PROGRAM
All medieval music is glimpsed from a great distance, but no repertory is so hard to see as that of England in the middle ages. Where France had a tradition of lyric song that lasted long enough for thousands of songs to be enshrined in manuscripts, the music we have from England of the same period is scattered and faint: much was destroyed when the monasteries were taken over by the state in the Renaissance, and much more has suffered from the ravages of time. What has come down to us, though, speaks in astonishingly vivid voices.