Join Houston Early Music at these exciting concerts remaining in our 2014-2015 season
Dedicated to showcasing music from the Middle Ages through the 18th century, Houston Early Music presents concerts performed with historical instruments and styles true to the period. This season encompasses both masterworks and little-known gems with the goal of inspiring audiences to reimagine the past.
Tickets may be purchased individually, or in money-saving subscription packages.
Make a Joyful Noise
Sun., Feb. 15, 2015, 3:00 pm
First Evangelical Lutheran Church
1311 Holman St., 77004
Hear the joyful noise of shawms, recorders, bagpipes and sackbuts improvising florid polyphony over songs, dances and sacred chant. Praised for performing intricate 15th-century counterpoint “with the ease of jazz musicians improvising on a theme” (The Cleveland Plain Dealer), Ciaramella brings to life the music of the Burgundian Alta Capella ensembles that piped across Renaissance Europe. This is a main stage concert for the 2015 Houston Early Music Festival. A preconcert talk by Ciaramella artists begins at 2:15 p.m.
Bach and Forth
Fri., Mar. 27, 2015, 7:30 pm
First Evangelical Lutheran Church,
1311 Holman St. 77004
Praised for their “well-thought-out articulation and phrasing” (Early Music Review) as well as being “everywhere sharp-edged and engaging” (The New York Times), The Sebastians took the Audience Prize at the 2012 Early Music America Baroque Performance Competition. Daniel S. Lee and Alexander Woods (violins),Ezra Seltzer (cello) andJeffrey Grossman (harpsichord) will present a concert of dynamic trio sonatas by J.S. Bach, Handel, Buxtehude, Rosenmuller, Erlebach and Telemann. The preconcert talk by The Sebastians at begins at 6:45 p.m.
Stile Moderno, New Music from the 17th Century
Fri., Apr. 10, 2015, 7:30 pm
Salem Evangelical Lutheran Church,
4930 West Bellfort Ave. 77035
Numbered among the cultural revolutions of the 17th century was music. Composers consciously created a stile moderno of dramatic oppositions and vivid emotions. “Revered like rock stars within the early music scene” (The New York Times), Quicksilver vibrantly explores this virtuosic, experimental and deeply moving “new music” by Castello, Fontana, Merula and Marini, performed on baroque violins, cello and harpsichord. A preconcert talk by Robert Mealy, Quicksilver co-director, begins at 6:45 p.m.