Program Notes for MIRIE IT IS

NOTES ON THE PROGRAM

All medieval music is glimpsed from a great distance, but no repertory is so hard to see as that of  England in the middle ages. Where France had a tradition of lyric song that lasted long enough for thousands of songs to be enshrined in manuscripts, the music we have from England of the same period is scattered and faint: much was destroyed when the monasteries were taken over by the state in the Renaissance, and much more has suffered from the ravages of time. What has come down to us, though, speaks in astonishingly vivid voices.

Continue reading

Program Selections for MIRIE IT IS

Mirie it is                                                             c.1225
Instrumental                                                        traditional Scottish tune
Edi beo þu hevene queenë                                  pre-1300
 
Ave celi regina virginum                                      14th century
Ave mundi rosa          
 
Estampie from Robertsbridge Codex                       c.1360
 
Ar ne kuth ich sorghe non                                    c.1270
Fuwëles in the frith                                              c.1270
Man mei longe him liues wene                             pre-1250
Bryd one brere                                                     c.1300
Solaris ardor romulis                                            mid-14th century
 
The hymns by St. Godric                                     c.1215
            Criƒt and ƒainte Marie
            Sainte Marie virgine
            Sainte Nicholaes
 
Worldes bliƒƒ, have god day                              c.1280
Virgo salvavit                                                      14th century
 
Stand wel moðer under rode (dialogue)              early and mid-14th century     
English dance                                                     arr. Kammen/Mealy
On Yooles night (carol)                                      mid-14th century
 
Stantipes (14th century dance tunes)                  arr. Mealy/Kammen
In secreit place—text by William Dunbar,          arr.  Kammen
    c.1460–c.1520

Program Notes for In Dulci Jubilo

Of all the holidays in our western culture, Christmas, more than any other, transcends its religious origins and implications.  It has become for almost all of us a time to celebrate; an opportunity to rejoice.  Thus it is not surprising that Christmas is the inspiration for an unequalled wealth of musical composition, both vocal and instrumental, secular and non-secular. This body of literature spans all periods of musical history, from the Middle Ages to the present.  The “spirit” of Christmas has become such a part of our lives, that the month of December sees easily twice as many concerts as any other month of the year, for the inherent festive quality of music-making has become synonymous with celebrating the birth of Jesus Christ.  It is in this “spirit” that we offer “IN DULCI JUBILO”, a concert of vocal and instrumental works from the 16th to 18th-centuries, some with obvious references to the Holiday, others with less direct connections, and one work (Concerto in D major) by Vivaldi , that has nothing at all to do with Christmas and with which we open our program.

Continue reading

Program Selections for In Dulci Jubilo

AULOS ENSEMBLE, with JULIANE BAIRD, SOPRANO

7:30 pm, Tues., Dec.. 11, 2007
Christ Church Cathedral
1117 Texas Avenue

In Dulci Jubilo

Concerto in D major, RV 94                                Antonio Vivaldi 
  Allegro-Largo-Allegro 
     
Traditional Carols 
  "In Dulci Jubilo" 
  "Coventry Carol" 
  "Shepherds Shake off your drousy Sleep" 
 Continue reading